If you are like 90% of Americans, you’ve probably never heard of Camp NaNo, even if you have heard of its terrifying counterpart and older sister, NaNoWriMo *shivers at the memories of sleep deprivation and caffeine abuse*
I’ll lay it out simply for you:
-There are cabins that you can create or join on the site to “hang” with your buddies or get randomly assigned with new writing friends.
-Forums allow you to share snippets of your story and offer up encouragement, advice, and fangirling during your cabin mates’ writing process.
-And the best part is that YOU set your own goals for April!
That’s right. During the month-long fest of awesomeness that is Camp NaNo, you decide a realistic word count goal that works for you. Or if you’re better at managing chapters or pages, then use that as your motivational guide. You can work as hard as you want to, and instead of burning yourself out by reaching 50,000 words in 30 days, you can set a goal of 30,000 words (like me!). And the best part of April is the community of writers you get connected with, who are aspiring and struggling to meet goals or connect ideas just like you.
I have never been to camp and haven’t *cough* successfully participated in Camp NaNo before. I know, the horror! But knowing that my circle of amazing encouragers and beta-readers and writer-friends has grown so much makes me want to dive right in and tackle whatever goal I’ve set for myself. That’s my favorite part of Camp, just understanding a goal and having the support you need to reach it or the Oreos and coffee when you don’t. As cheesy as it sounds, it isn’t about the goals you set but the journey and the people along the way.
So here’s to the next 30 days, friends. I have a feeling it will be epic!
And stay tuned this month for more Fangirl’s Survival Guide posts and Camp NaNo updates.
November is a time of family, autumn leaves, snuggly clothing (I live in San Diego, so . . . . I basically never get to wear my sweaters *cries*), thankfulness, an obsession with the PSL (I had to ask someone—apparently, it’s lingo for Pumpkin Spice Latte *shrugs*). Seems pretty quaint, right?
Well, for writers the month of November is basically a crazed adventure film where people who live a thousand lives and imagine the impossible embark on a journey to the Great Mount Fifty (also know as Mordor). You either make it or die trying. *dramatic music swells*
Don’t know what I’m talking about?
IT’S NANOWRIMO, PEOPLE! A month where authors take on the task of reaching 50,000 words in their work in progress in a meager 30 days. Why not a month that has 31 days to it? . . . . I honestly don’t know, because when you’re strapped to the seemingly innocent task of at least 1,666 words per day, even a few hours can be helpful.
And everyone knows that epic movies and adventures require the proper soundtrack for inspiration. Do you think Captain Ahab wasn’t humming some Journey power-ballad to himself when he attempted to slay Moby Dick, or that literary greats didn’t bob their heads to some intense Mozart tune while penning their poetry? Or that any Marvel film would be as exciting without a score or AC/DC number to guide the scene on?
Negatory, my friends. “Where words fail, music speaks.” Thank you, Hans Christian Andersen. Some of my greatest blocks while writing the Rising Shadows trilogy were overcome by the right tune that sparked my inspiration and set the mood for the scene, unblocking me like some good ol’ Drano for the mind. . . . I think I took it too far.
Anyway, below is my playlist that helped me work past today’s word count goals for The Jungle Princess. It’s basically a compilation of songs that I just love listening to and put me in a great mood to write, but some also fit seamlessly as the inspiration for current chapters in JP. So, this begs the question, what’s on your writing playlist? What music inspires you? Are you hooked by lyrics, the melody, or both? Or are you like me and listen to the same song on repeat for hours until the scene comes together perfectly? Cheers to that! *clanks mugs of coffee, because caffeine means survival*
“Hurt Somebody” – Dierks Bentley
“It’ll All Work Out” – Tom Petty
“Love Someone” – Jason Mraz
“Start of Time” – Gabrielle Aplin
“On My Way Back Home” – Band of Horses
“This Town” – Niall Horan
“Don’t Worry Baby” – The Beach Boys
“Beat the Devil’s Tatto” – Black Rebel Motorcycle Club
“Losing My Mind” – Charlie Puth
“Thinking Out Loud” – Ed Sheeran
“Hurricane” – Need to Breathe
“Springsteen” – Eric Church
“Back on the Map” – Kacey Musgraves
“One Day” – Kodaline
“Don’t You (Forget about Me)” – Simple Minds
Writing is an Art, I Tell You!
Part 5: Creating Memorable Characters
Aside from the questions I ranted about the other week, one of the most common things an author gets asked is, “How do you come up with your characters, and how do you handle them once they’re created?” *cracks knuckles* Step aside, Stephen King, because I’ll answer this one! (mostly because I’m sure he has a very different answer that doesn’t involve gifs and memes—so blah!)
Characters can emerge from absolutely nothing, kind of like that Twilight Zone place in The Voyage of the Dawn Treader (I think that’s the one?), where your thoughts create creatures out of the darkness and mist. Getting an idea for a character is the easy part—anything inspires me! But understanding them and knowing their purpose in your story is a completely different concept. This is the tricky part that can trip-up even the most seasoned author, because until a character becomes real to you, you’ll never break the surface of who they are and can misinterpret their reactions along the way. As a reader, this is just plain confusing.
Before you create a character, you need to keep in mind that it helps to have different “purposes” assigned to each one—the steady tree, the flighty rocket, ultimate villain, perfect protagonist, sympathetic antagonist—and keep this design in mind to make sure they don’t deviate from their design too much.
You can do this fairly easily by asking yourself a few questions:
-What is their purpose in the story? Hero, villain, martyr?
-Are you supposed to sympathize with them, feel distant from their pain, or feel
angry whenever they enter a scene?
-Will they have a change of heart, or should they remain steady throughout the journey?
Sarah, Will, and the gang began as simple concepts—a girl from the future, a vigilante with a broken past, the loving family next door, the steady best friend, etc.—and these general ideas worked as a starting point for their growth. Knowing where Sarah was from helped me to imagine how I might react to things a thousand years in the past, seeing everything in a different world for the first time, trying to blend in; because of Will’s history, I knew that he would be protective of those he cares for and more guarded, rejecting love when it’s what he needs the most. You will be amazed at how much growth your characters will take on, all on their own, when you give them a gentle nudge along the path they’re supposed to stay on. And be careful that you don’t fall in the trap of the “campy” character, where they’re always happy go-lucky and never seem to struggle with anything. Readers will always identify more with someone with human doubts and struggles and emotions who overcomes adversity—because that is relatable and hopeful—rather than a character who smiles and dances all. The. Bloody. Time. -_- Nobody can identify with this every day:
Now that we’ve established how to create your characters, and also to steer clear of making a dull, one-dimensional protagonist, you have to remember that it’s important to become acquainted with them, too. Go for a walk and imagine conversations your characters might strike up because of something you see, or think about how they might react to a situation in your own life. It sounds strange to listen in on imaginary conversations between fictional beings, but it makes them feel more natural and real to me to follow them throughout the day. Making this a practice honestly helps the writing process, because you’re becoming more and more familiar with them each second you spend with your characters, and this attention to detail will really benefit your novel.
You also have to understand and be accepting of the fact that characters can evolve, and it’s your job to know how to handle them once they decide to move away from your perfect little personality mold. It might sound like a contradiction, but I can explain, I promise! Take Damien Lisandro, for instance: he was originally Lord Bormeo, a tall, thin, middle-aged man with a hawkish nose and absolutely no charm.
While writing Chasing Shadows, I realized that, although his character’s purpose was necessary to the story, he was not. So, I took the general concept of him and the way he aided the plot and turned him into Damien, the dashing, blush-inducing Spaniard who plays a huge role in Sarah’s investigation at the castle . . . and a large role in why I giggled so much while writing his scenes. Also, I may or may not have fallen in love with him a tiny.
I will never regret making that choice to change, not a character’s role in the story, but some of his traits to make him more appealing to readers and *cough* myself. The A-typical protagonist or villain or antagonist can be so boring, and you shouldn’t be afraid to do some rewriting where your characters are concerned so long as they don’t deviate from their purpose. Make sense?
So, that’s it! There’s plenty more that goes into creating characters, but these are the basic concepts I follow when whipping up a new bloke or lady in my stories. The best piece of advice I can give for you aspiring writers out there is to know who your characters are, but that also comes from knowing who you are as a writer. Be bold and confident, and let your own passion play out through strong-willed characters who stand outside the box. Nobody likes reading about vanilla!