As most of you know, I love chatting with other writers and hearing about their stories. I also love doing interviews with fantastic people and adore all-things mermaid (stay tuned for my WIP and you’ll see why!). So when I heard that Lisa M. of The Elegant Stylus was writing a short story about mermaids (!!!), you could say I jumped at the opportunity to interview the incredible artist who designed the covers for Rising Shadows and Defying Shadows.
Lisa typically dwells under the sea, which I imagine is a fantastic place for writing inspiration, but she was kind enough to don her land-legs and answer my questions today. *awaits drum roll crescendo* All right, let’s get to some mermaid action!
(Also, please note that this interview was written in sea foam-green to keep with the theme. *slow clap for cleverness*)
Lisa, where does your creative inspiration come from?
First, I’m going to give the totally uninteresting “mom” answer and say my children—but it’s true! Portraiture is something I enjoy, and my first portrait was of my daughter when she was two years old. Children today are photographed more than any generation in history, yet I’ve found that the simplicity of a line-drawing can sometimes capture the essence of a child even more precisely than a photograph.
(The portrait of my daughter which started it all; silhouette portraits of my daughter and son. Commission your own at www.etsy.com/people/TheElegantStylus )
Thematically, I have a particular love of folklore, weird fiction, and fantasy. I was fascinated by the stories by Edgar Allen Poe as a kid, and my first short story (titled “The Skull Upon the Roof”. . . because what else could it have been called?) was based on his house style. World building has always been a particular passion of mine; anything that hints at belonging to an eerie alternative reality which exists just beyond the fraying edges of our peripheral vision jumpstarts my imagination. Creative inspiration for those types of stories can strike anywhere, any time. Case in point: last summer, my kids and I were stuck in a completely unnecessary traffic jam while trying to leave a Sprout’s parking lot (I’m not going to point fingers, but the driver of a Subaru *may* have been responsible). It was nap time, it was hot, and my beloved children begin to loudly voice their displeasure with the current situation.
In an attempt to distract the kiddos, I made the executive decision to YouTube-up a minor-key, EDM/Dubstep cover of The Little Mermaid’s “Kiss the Girl,” which a Facebook friend (a German-raised Opera singer, to be precise) had recently posted on my wall. You know how it goes….
(See the video here: https://youtu.be/HncGtWcqyV0 )
Now’s your moment
Floating in a blue lagoon
Boy, you better do it soon
No time will be better.
The song is playing, the kids have quieted down, and I’m successfully navigating a “left-turn yields on green” maneuver through the intersection when suddenly, BOOM! The scene unrolls before my mind’s eye like luminous scroll: the singer in this goth dubstepping number is no friendly crab-buddy, narrating the flatteringly-lit rowing scene of romantic tension between our charming protagonists!! No! Indeed, there is an unholy sea sprite lurking in the dark waters, and he has his own Screwtape-esque agenda! The malicious sprite telepathically whispers, taunts, and downright mocks the young man in the boat:
Look at that boy: too shy.
Ain’t gonna kiss the girl.
It’s a shame, too bad.
He’s going to miss the girl.
My physical body may have successfully steered us home, pulled my SUV into our garage and begun unbuckling the kids, but my mind was still in that haunted lagoon, and oh baby, I had a lot of questions. Questions like:
“What deep, dark creature does this taunting voice belong to?”
“Why does he care that the eponymous girl be kissed before the sun sets? (The girl in question being, of course, a zombie-mermaid glamoured to look like a fresh-faced human girl. I know this intuitively.)
“Why is this Disney song very clearly advocating non-consensual culture? Just look at this:
Yes, you want her.
Look at her, you know you do.
It’s possible she wants you too;
there’s one way to ask her.
It don’t take a word, not a single word.
Go on and kiss the girl, kiss the girl!
Seriously??? Another way you can inquire if she, indeed, does want you too kiss her, is to, um. . . oh, I don’t know, maybe ACTUALLY ASK HER if she would be receptive to such intimate contact? Gawd, Disney!
Suffice it to say I had MANY questions. It goes without saying that, at least in my case, inspiration will strike at the most unexpected, and honestly inopportune, moments. I hurried to get my kids out of the car and into their beds so I could scribble a few lines in a notebook and not lose the sneak-peak I’d been given into this dark fairytale world. And then….
Wait….both kids have dirty diapers….SERIOUSLY?!!
Inopportune inspiration . . . Oh, too relatable! Like the shower, the sandy beach with no pen, when your hands are covered in paint, at 2 a.m., etcetera. -_-
Okay, do you have a favorite spot to brainstorm creative concepts and designs?
The majority of my creative work is done via computer, so I guess I’d have to say sitting at my kitchen bar with my laptop is my default go-to creative space. Pinterest is a great place to begin a design process, whether I’m giving a makeover to a piece of furniture, researching silhouette cameo-portrait styles, or designing the covers to your novel covers! When I paint, I always begin by creating a digital mock-up in Photoshop. That’s the origin story of the watercolor painting I did for you, based on your Rising Shadows trilogy.
(Serimone by Starlight, which you might recognize from Instagram; Rising Shadows, Defying Shadows)
During the hot summer months, I enjoyed sitting in the shade of my front porch in the evening, writing mermaid-zombie story ideas in a notebook, while keeping a vigilant eye on my kids playing in the yard; I’m trying to embrace the shaggy nature of good ol’ pen and paper writing. If I have to cross out a word, sentence, or, God-forbid, a paragraph … so be it. Writing a story by hand has been an epic triumph for my personal neuroplasticity, and I view it almost as a form of therapy for my super-uptight OCD proclivities. I cannot allow white-out in my vicinity when writing. As a Storm Trooper says in Episode IV: “Move along. Move along.” I’m trying to live according to his advice, and not get hung-up by over thinking things and imperfections.
My creative writing gurus are the brilliant people over at Storywonk.com, and through their podcast, I have been encouraged to keep plugging along. In particular the “Journeyman Writer” podcast has taught me the importance of curating a nest in which to write.
Lately, I have begun writing before bed, nightcap at my side (it helps with the OCD). I feel particularly blessed to get to write my dark faerie tale in the master bedroom of a creepy gothic mansion; I feel the atmosphere adds to my creative process. (Joke.)
(“IRL” and Gothic Photoshop)
*wishes she had the ability to bring Photoshopped pictures into reality* So. Glorious!
I know I always have to have tone-setting music and a fun beverage when I’m writing (*cough* coffee *cough cough*). What are some things that you MUST have in your workspace while exercising you creativity?
As a mom of young kids, I’ve had to learn to be creative in non-ideal situations. Oftentimes, I’m Photoshopping an image while simultaneously stepping in to prevent my two-year-old’s meltdown, and navigating Netflix to find “Octonauts” for my 4- and a half year-old. BUT if I could design the perfect creative environment, it would definitely take place after my kids have gone to bed, with the ‘afore mentioned margarita by my side and a Storywonk podcast playing on my headphones. While I’ve been scribbling my mermaid story, I’ve lately enjoyed listening to ambient ocean wave noises via YouTube on my MPOW Shell Blue Tooth.
Now I’m wishing I had the gift of multitasking while in story-mode, but alas. *sighs* Okay, now for a strange question: I love Monet, Van Gogh, and Pissarro’s works and would love to have watched them create some of their most incredible paintings. If you could bring any artist back from the dead (and possibly put a Mermaid tail on them), who would it be and why?
Definitely weird fiction author H. P. Lovecraft. The contrast between his stuffy, uptight New England personality and the truly wild, disturbing, psychedelic worlds and creatures he created are endlessly fascinating to me. Despite the fact that he was an unrepentant sexist, racist jerk, and overall unpleasant guy, I’d love to have a conversation with him about his Cthulhu Mythos.
(“Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn.”
“In his house at R’lyeh dead Cthulhu waits dreaming.”)
Though I am an “inferior” woman, I am sure that as soon as he realizes I have not only singlehandedly reanimated his corpse, but ALSO gifted him with a super awesome mer-tail, he will be so overcome by gratitude that he will gladly converse with me about his story-craft. I imagine sitting beside his custom, 600 gallon saltwater tank in a velvet wingback chair, sipping a margarita while chatting about the danger of seeking hidden knowledge and the nature of madness.
(Howard Phillips Lovecraft, formerly of Weird Fiction. Current status: Merman)
*tries to pull self together while still on the throes of laughter over the saltwater tank comment* *at last regains some semblance of composure*
Fascinating response, Lisa. Going with the saltwater theme . . . Now, you’re on a desert island and have a choice between enlisting the help of a mermaid, a sea witch, and a couple of sea turtles roped together (probably with hair from Jack Sparrow’s back). Which do you choose to help you survive?
To paraphrase the late author David Foster Wallace, I have a marrow-level dread of the ocean; it is an endless, corrosive engine of death and chaos chockerblock full of snaggletoothed leviathans that rise from the depths at the rate which a feather falls. Needless to say, I would want to return to the mainland ASAP, so it looks like the sea witch is my gal! Luckily, I just happen to have a nifty H. P. Lovecraft-shaped mer-toy to trade her in exchange for her magical teleporting services! Sorry, Howard! Don’t blame me; Kharma’s a b*ch!
So you’ve given us a little taste of the inspiration behind your current work in progress, but would you share with us a bit about your idea and some scene-inspiring art?
Yes! I’m primarily a visual artist, and have (alas!) finished very few of the stories I’ve attempted in the past. It’s been a bucket-list item to one day complete a short story novella, as well as illustrate it.
As I mentioned before, Chase Holfelder’s Minor Key cover of “Kiss The Girl” from The Little Mermaid planted the seeds for a new story in my mind.
I’ve always loved folktales, their dark origin stories in particular.
(If you’re like me and enjoy learning about spooky folklore, check out the LORE podcast! http://www.lorepodcast.com/ )
Likewise, I’m intrigued by the concept of an unreliable narrator. Rippling out from that crucial moment of the kiss in the lagoon, I’ve created a whole framework of story! The Cliff’s Notes version is that there is a sea sprite who has been the familiar of an incredibly powerful Sea Witch for a millennia. He has loved his Mistress unconditionally (were his feelings reciprocated?….I think not, but don’t tell him that). The Sea Witch gives her life to reanimate the corpse of a drowned young woman, who is resurrected in the form of a voiceless, zombie mermaid.
(Digital paintings I’ve created as illustrations for my story.)
Now that his beloved Sea Witch is dead, the desolate sea sprite determines to win her life back by presenting the Elder Gods (a Lovecraftian shout-out) who live deep under the sea with the perfect gift: a human soul. And, of course, the formerly human mermaid is the perfect vessel to transport that soul to their underwater temple. The familiar devises a plan in which he glamours the mermaid to look like an irresistible maiden. Once on land, the sea sprite (glamoured in human form as well) sets up the meet-cute in the lagoon, gets an unsuspecting man to kiss her . . . aaaaand you’ll have to read the story to see how it all ends. As of this moment, I’m looking forward to seeing how it ends as well!
It’s been amazing having you, Lisa, and thank you so much for stopping by to answer all of my questions! I think it’s safe to say that we’re all on the edge of our seats waiting to see how the rest of this fascinating story comes together. As for the rest of you, if you liked what you read and are interested in commissioning Lisa for a project, she’s always open to new, creative endeavors. Just make sure to message her before she ditches her land-legs and dons her fin once more! (I heard computers don’t work very well under da sea.)
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