The Fangirl’s Guide to Navigating Life, Vol. 2

Published May 5, 2017 by Ashley Townsend

The Fangirl’s Guide to Navigating Life, Vol. 2:

Surviving a Series Ender

You’re incredibly excited about a new series, devour every book in the same week it releases, and proudly display every piece of book-swag you received for your dedication. And as you’re shedding joyous tears over the last page of the story and thinking about what new pins to add to your character boards, it suddenly hits you: That’s it, there are no more books left in the series. You’ve read them all like a manic without considering the fact that one day they would come to an end. Now all you’re left with is the memories of the story and a future that stretches out before you like a dark abyss.

We’ve all been there, although maybe your experience wasn’t quite as dramatic as this. But that’s neither here nor there.

It’s okay to hide in a dark hole for a short time and hope that the author decides to write another book in the series, but let’s be real: YOU NEED SUNLIGHT! And a shower, and food, and to give your cramping hands a break after holding a book for so long (most commonly obtained from books by Cassandra Claire and Sarah J. Maas). To help you overcome the tragedy that is the conclusion of a fabulous series—the pain, the agony, the tears!!—I’ve created a list of a few tried and true techniques to help you move past the crushing disappointment of the end of a book era. Because, seriously, you need emotional support after this.

-Feast on chocolate and/or (but especially “and”) ice cream

. . . . I’m sorry, is an explanation even necessary? I think not!!!!!

-Buy a shock blanket

Trust me, you’re going to need this

Drink all the coffee!!

For staying awake to search the online fandom pages and Pinterest boards to feel closer to the characters after it’s over. Better yet, just buy a plantation so you can grow your own beans. It’s a worthy investment.

Find a fandom candle

In the Wick of Time and Flickering Fandoms make amazing candles inspired by so many different books and characters. You’ll fall in love and be reminded of your favorite characters every time you smell it!

-Music, baby

Accept the fact that “Everybody Hurts” by R.E.M. and Simon and Gafunkel’s “Sounds of Silence” are a part of life now. (Best paired along with the shock blanket and candle, also tested by me.)

-Create a Pinterest Board

Strange as it seems, searching the web for images that inspire memories of the books-gone-by makes you feel like the characters haven’t left you entirely and helps with the healing process.

And the most important I’ve-lost-my-way technique:

-BUY A NEW BOOK!!!

Trust me, the best way to get over the end of an amazing series is to wash the tears from your face, swap out those Nutella-stained sweatpants for some jeans, and get back in the bookstore. You never know what magic awaits you! *hums the tune to “Back in the Saddle Again”*

2017 Reading Goals

Published January 31, 2017 by Ashley Townsend

Has it really been SO long since I last visited your homes? *cringe of shame* Apparently, I’ve been a bit consumed lately by working on The Jungle Princess, ironing out some blemishes/going where the story takes me, catching up on the mass amounts of paperwork at the office, planning a trip to Nashville (the heart of country music) to see my bestie, and also—oh, yeah, preparing for this year’s voyage to Realm Makers, the best writer’s conference. In. History. So forgive me, because, honestly, you can’t stay mad at this face.

I’d like to say I’m coming back online to impart some great writerly wisdom on you, or blow your mind with a snippet from my work in progress (but keep your eyes posted for this, because soon . . .). But alas, I have simply journeyed to the Internet to humbly present an update on my 2017 reading progress. *raises hands to defend self against expected volley of rotten vegetables and fruit*

I set my 2017 Reading Challenge goal on Goodreads at 45, the same as last year, so I’m hoping to do as good as I did in 2016 and exceed my goal. I haven’t read much yet this year, so I figured now would be a good time to share my opinions so far.

These Shallow Graves by Jennifer Donnely ***

these-shallow-graves

Umm, I think I liked this book?? I’m typically not this confused over my opinion on a story, but there were moments while reading that I thoroughly enjoyed the characters and the setting. But then there was the forced romance that was so cliche it was often painful, and the killer was fairly obvious from the first chapter of the book. There is this fabulously intense scene at the end where the main character (whose name I can’t recall, she was so memorable) gets into a scuffle with her father’s murderer and runs for her life in a mental institution. I wish there had been more exciting moments in the book because the author did it so well. It had a lot of potential and there were a few characters that I liked and wished had been in it more, and the setting of old-time New York was very fun. Overall, though, I feel like this book is a bit forgettable.

Illuminae by Jay Kristoff and Amie Kaufman ****

illuminae

(really 4.5 stars for cleverness of plot and design of the book itself)

Things I learned from Illuminae:
1. I can now survive the zombie apocalypse, though my hacking skills are seriously lacking.
2. You can fall in love with a person because of their emojis. EZRA!! ❤ ^_^
3. Artificial intelligence is a bad idea.
4. Nukes don’t really makes a sound in the vacuum that is space.
5. You should definitely have Gemina on hand to prevent symptoms of the Phobos virus (i.e. violence, incessant shaking, catatonia).

Wow. Just wow. The plot, the characters, the tears and edge-of-your-seat intensity made me stay up all night to see what would happen. This is the most uniquely designed book I have ever read, and the storyline is fantastic and very involved. The first 100 pages were a little bit dry as I got into the style of the book, but then I couldn’t put it down as I became involved in the story and these characters (and the death toll!!! o.O) The ending was such perfection—so intense and tragic and then your heart leaps in hope—making it one of those books that resonates with you for a long time.

Gemina by Jay Kristoff and Amie Kaufman ***

gemina

(3.5 stars)
There were some aspects of this book that I enjoyed more than Illuminae. I felt like the characters were more alive in this story through the way they wrote the scenes to involve more action and surveillance footage, rather than just IM’s back and forth between characters.
That being said, I actually liked Kady and Ezra more as the driving force behind the plot in Illuminae. Also, I didn’t appreciate the casual drug abuse in the book or how the authors made it seem all right for the characters to use “dust” because they know when to stop or because it dulls their senses so they can get through a tough situation. I felt like it was unnecessary and actually sends a terrible message.

Despite my misgivings, I really enjoyed the book and will continue on with the series. Kristoff and Kaufman have crafted an incredible world, and the design of these books is unlike anything you will ever read.

I’m also currently reading Wayfarer by Alexandra Bracken *squeal of pure joy* and have Unblemished by Sara Ella patiently waiting for me on my bookshelf. I got them both on the same day, and there is nothing like that “new book” feeling where fresh hardbacks follow you home.

coming-home

Also, my sister just ordered By Your Side for me by my auto-buy author Kasie West. A thousand yesses. I’ll do an Instagram post when I receive the book, so keep your eyes peeled.

Lastly on the reading update, I feel like I’ve never had to wait for a sequel to release like I have with the much-anticipated Blacksouls by Nicole Castroman. Those who are also waiting for Book II to come out probably feel like each day just drags on and on. But we’re in this together, guys, and so we have to hold out and lean on each other through these hard times. Hang in there, friends, it will be here soon!

are-you-okay

Part 5: Creating Memorable Characters

Published March 5, 2016 by Ashley Townsend

Writing is an Art, I Tell You!

Part 5: Creating Memorable Characters

Aside from the questions I ranted about the other week, one of the most common things an author gets asked is, “How do you come up with your characters, and how do you handle them once they’re created?” *cracks knuckles* Step aside, Stephen King, because I’ll answer this one! (mostly because I’m sure he has a very different answer that doesn’t involve gifs and memes—so blah!)

as you wish

Characters can emerge from absolutely nothing, kind of like that Twilight Zone place in The Voyage of the Dawn Treader (I think that’s the one?), where your thoughts create creatures out of the darkness and mist. Getting an idea for a character is the easy part—anything inspires me! But understanding them and knowing their purpose in your story is a completely different concept. This is the tricky part that can trip-up even the most seasoned author, because until a character becomes real to you, you’ll never break the surface of who they are and can misinterpret their reactions along the way. As a reader, this is just plain confusing.

who are you

Before you create a character, you need to keep in mind that it helps to have different “purposes” assigned to each one—the steady tree, the flighty rocket, ultimate villain, perfect protagonist, sympathetic antagonist—and keep this design in mind to make sure they don’t deviate from their design too much.

You can do this fairly easily by asking yourself a few questions:

-What is their purpose in the story? Hero, villain, martyr?

-Are you supposed to sympathize with them, feel distant from their pain, or feel

angry whenever they enter a scene?

-Will they have a change of heart, or should they remain steady throughout the journey?

Sarah, Will, and the gang began as simple concepts—a girl from the future, a vigilante with a broken past, the loving family next door, the steady best friend, etc.—and these general ideas worked as a starting point for their growth. Knowing where Sarah was from helped me to imagine how I might react to things a thousand years in the past, seeing everything in a different world for the first time, trying to blend in; because of Will’s history, I knew that he would be protective of those he cares for and more guarded, rejecting love when it’s what he needs the most. You will be amazed at how much growth your characters will take on, all on their own, when you give them a gentle nudge along the path they’re supposed to stay on. And be careful that you don’t fall in the trap of the “campy” character, where they’re always happy go-lucky and never seem to struggle with anything. Readers will always identify more with someone with human doubts and struggles and emotions who overcomes adversity—because that is relatable and hopeful—rather than a character who smiles and dances all. The. Bloody. Time. -_- Nobody can identify with this every day:

happy dance

Now that we’ve established how to create your characters, and also to steer clear of making a dull, one-dimensional protagonist, you have to remember that it’s important to become acquainted with them, too. Go for a walk and imagine conversations your characters might strike up because of something you see, or think about how they might react to a situation in your own life. It sounds strange to listen in on imaginary conversations between fictional beings, but it makes them feel more natural and real to me to follow them throughout the day. Making this a practice honestly helps the writing process, because you’re becoming more and more familiar with them each second you spend with your characters, and this attention to detail will really benefit your novel.

You also have to understand and be accepting of the fact that characters can evolve, and it’s your job to know how to handle them once they decide to move away from your perfect little personality mold. It might sound like a contradiction, but I can explain, I promise! Take Damien Lisandro, for instance: he was originally Lord Bormeo, a tall, thin, middle-aged man with a hawkish nose and absolutely no charm.

While writing Chasing Shadows, I realized that, although his character’s purpose was necessary to the story, he was not. So, I took the general concept of him and the way he aided the plot and turned him into Damien, the dashing, blush-inducing Spaniard who plays a huge role in Sarah’s investigation at the castle . . . and a large role in why I giggled so much while writing his scenes. Also, I may or may not have fallen in love with him a tiny.

in love mcgarrett

I will never regret making that choice to change, not a character’s role in the story, but some of his traits to make him more appealing to readers and *cough* myself. The A-typical protagonist or villain or antagonist can be so boring, and you shouldn’t be afraid to do some rewriting where your characters are concerned so long as they don’t deviate from their purpose. Make sense?

So, that’s it! There’s plenty more that goes into creating characters, but these are the basic concepts I follow when whipping up a new bloke or lady in my stories. The best piece of advice I can give for you aspiring writers out there is to know who your characters are, but that also comes from knowing who you are as a writer. Be bold and confident, and let your own passion play out through strong-willed characters who stand outside the box. Nobody likes reading about vanilla!

captain jack sparrow vanilla

Part 4: Oops, You’re Dead!

Published February 28, 2016 by Ashley Townsend

Writing is an Art, I Tell You!

Part 4: Oops, You’re Dead!

This post was going to be so large I had to break it into two, so next week we’ll discuss how a character moves from the drawing board into (semi) reality. I’m working backward, but I couldn’t resist when I found the perfect gifs to address the idea of dealing with a character once they’ve spent enough time in your story—also known as *cough* knowing when to kill them. When has a character reached their end? When is it useful to kill them off? The former is the most important question you can ask in regards to a character’s demise.

galavant fun

One frustrating thing I’ve encountered as a reader is the unnecessary death count just for the sake of having someone die. It’s like an author reached the end of their story, slapped a palm to their forehead, and remembered they were supposed to kill somebody off, so they choose some background character to avoid upsetting the plot. But was I attached to them? No. Did their death affect me in any way? Hardly. And if this is the case, then odds are the protagonist’s emotions over this character’s death won’t matter to you, which is exactly the opposite of what should happen. You should be emotional, justified, or outraged they died; their death is pointless if you aren’t wildly flipping through the pages to see if they’ll make it, or running like mad to stop the author from writing them out of your series.

Thornton No.gif

As a writer, everything we do should have a purpose, especially when it concerns death. I read so many books where filler is everywhere (snooze), and while most understand that not every moment of a story can be action-packed or filled with romance, creating dialogue or descriptions for the sake of word count is just lazy writing; you should be able to engage your readers and give them information they’ll need later on without putting them to sleep.

bored

The idea of lazy writing plays into that pesky issue of death-for-death’s-sake that I lamented above. Yes, Chasing Shadows has a . . . high-ish death toll, but every single character dies for a purpose. To avoid spoiling the story for those who have yet to read it (but, really, what’s stopping you? Get it here!), suffice it to say that these tragic passings either drove a protagonist into someone’s arms, explains a character’s actions, wedged a useful bridge between characters, or caused so much emotion in the heart of the reader (and writer) that it plays into the tone for the rest of the novel. Some of my favorite books were memorable because they made me feel like this:

nick miller crying

And there is one particular death in Defying Shadows (add it on Goodreads) that even I was crying over, and while emotion is good, I’ve always made sure that every loss I have ever created has a purpose and causes a chain of events that lead to certain points in the story. One important thing is to remember that it is never okay to kill off a character for convenience’s sake, because someone has to die, or because they’ve simply outlived their usefulness. Make it count! A character’s death should be marked by one of two things: tears for a martyr or a sense of justice when an ultimate evil is vanquished. Let me tell you, few things are more satisfying than killing off a villain who has been tormenting your favorite characters.

I don’t like to make too many rules for writing, but I think this is something important to keep in mind—to have a purpose for a character’s demise and make sure that it is felt. And if you’re a reader like me, then you know how random character deaths get under your skin, so don’t make the same mistakes as a writer that have driven you up a wall in your favorite books. Remember that mantra: no tears in the writer, no tears in the reader!

A Cold Legacy Review

Published April 27, 2015 by Ashley Townsend

***** FIVE STARS FOR A COLD LEGACY!!!

A few words to describe this story: poignant, maddening, beautiful, heartbreaking, marvelous, gripping, haunting, heartwarming, and just plain old fashioned AWESOME.

I finished the final installment in The Madman’s Daughter trilogy a little while ago and am just now getting my review together, but believe me, my excitement and heartbreak over this book are still perfectly fresh.

For starters, this series is amazing! If you look through my Goodreads reviews, The Madman’s Daughter and Her Dark Curiosity all get extremely high marks. Shepherd’s stories and characters are incredibly inventive, fascinating, and delightfully twisted—and by that I mean complex, although there certainly are some moments where Juliet and a few of the other characters appear a little warped. However, Shepherd draws in a highly redeeming factor in the story, which was just beautifully done, I might add. Now I realize that life before this story was meaningless and that it woke me from book-slumber. *snoring* “Oh, look, a new book!”

Not that Tumblr needed another SebStan blog...

The story begins exactly where Curiosity left off, with Juliet, Montgomery, Lucy, and Edward—I love you!—escaping from the repercussions of events that occurred in the previous book that you’ll just have to discover for yourself (insert evil cackle and lightning strike). Though this story is a slower, unfolding ride, the author has an amazing knack for packing each sentence with meaning and making your hair stand on-end as you read over haunting images; it’s a bit like an old-fashioned suspense novel in the sense that readers are constantly wondering what lurks around the corner as they flip madly to the next page. I love how Shepherd worked legends and other classic monster characters into her series: the first book revolves around the history of Dr. Moreau, Jack the Ripper was the center of Her Dark Curiosity, and the monster in Frankenstein (one of my favorite darker stories in classic literature) is what this installment revolves around. And these elements could not have been handled by a better author!

Now, for my actual reactions while reading A Cold Legacy, though I’ll try to keep it as spoiler-free as possible:

When it arrived in the mail on a delightfully dreary day, all beautiful and smelling of fresh ink—a book druggie’s greatest weakness—I was ready to bunker down and enjoy myself.

Basically right out of the gate, I got so excited that Edward was going to come out of his monster-induced coma and be just awesome and endearing and wonderful and heartbreaking once again…. But, no, the Monster is still trying to take control of his body, so he basically spends half the story in chains. My baby!

And then there’s the matter of Hensley, the creepy, emotional child who basically lives in the walls of the manor, carrying secrets and squeezing his pet rats to death. Like, frequently, because he has super human strength and terrifies the entire staff. Nothing unusual about that.

Oh! Also, one of my favorite “SURPRISE!” moments was when one of the island dwellers–you heard correctly, from book ONE–makes an appearance in this story. Waaaaa???

That moment when we discover that Edward is awake, he’s fine! We’re all going to be okay. And then…

We find out that the Beast has taken over Edward’s body completely and that they’re going to have to kill him to finish the Monster off for good this time. “Just give me a blanky and chocolate and leave me alone!”

I won’t say how, but (chuckles nervously) sweet, adorable little Hensley has a big part in helping to terminate the Beast (a.k.a.: Edward is dead, too). Thanks a lot, idiot! You ruined everything!

And then I remember that this is a book about regeneration, like in Frankenstein, and that they CAN BRING HIM BACK!!!

But then we discover that stupid Lucy has been trying to mimic Frankestein’s science, though she is completely unqualified and stupid and annoying and crazy. . . Did I mention stupid?

Sorry, but I was particularly annoyed by her. I was also a little disappointed in Juliet that she would once again attempt to be like her father and create life herself, but I felt that I really understood her more; she was saving a friend this time, and loved seeing her actually struggle, because it made her more relatable. Plus, with Lucy (blegh) practically forcing her to do the operation so that the dumb-dumb doesn’t botch the procedure and ruin Edward’s body, Juliet basically had to do it. So throw the bloody switch!

So (spoiler! but you should have expected it, given the Frankenstein theme) Edward comes back to life, albeit a little changed yet completely devoid of the Monster. Yippee! But he totally broke my heart in the way that he didn’t wish to come back as a different kind of monster. And selfish Lucy’s just like:

But just before all this happens, something wonderful occurs between Juliet and Montgomery, your next stable, incredibly level-headed and amazing fictional heartthrob who’s like Tarzan and lived on an island with Dr. Moreau for many years. After going between Edward and Montgomery for what seems like ages, Juliet FINALLY commits.

Yeah, it’s that good.

Anyway, the gang this whole time was being tracked down by Lucy’s father, who is after Juliet’s knowledge of regeneration and wants them all dead. And, of course, Lucy does the absolute dumbest thing imaginable. So stupid, in fact, that I need several gifs to express my annoyance with her.

So, anyway, Lucy does the-thing-that-shall-not-be-named (for spoiler’s sake), and gets the gang into a serious heap of trouble. It’s a really awesome, intense stand-off/fight club where the circus troupe they befriend and the manor staff team-up against Lucy’s father and his cronies.

During this rather fantastic scuffle, someone sacrifices themselves to save one of my favorite characters, but I was so ready for someone to actually die, and I also didn’t care much for the character at this point, so I was basically like, “Pass the popcorn!”

So the story comes to a close, and I’m getting my heartbroken tears ready–you know, the ones I shed at the end of Book I and also the middle/end of Book II–when one of my favorite heart-wrenching characters decides to walk away from it all. And then Shepherd hits you while you’re down and gives Juliet the most beautiful discovery where she realizes that she has a choice in who she becomes and that she doesn’t have to follow in her demented father’s footsteps, something she’s feared since the beginning.

*sniffs* Yes, this book is definitely worth the read. Shepherd is an incredibly vivid, emotional, and just all around hauntingly poetic writer. If you enjoy suspenseful, beautifully crafted literature that contains elements of classic gothic stories (Jane Eyre, etc.), then this book is definitely for you. But you CANNOT read these out of order; go and get yourself the previous two books. You won’t be sorry!